- People joining projects: Idris Elba and Matthew McConaughey have officially joined The Dark Tower, likely kicking off a new franchise and dragging this particular Stephen King adaptation into the light once and for all after decades in development hell. Elba vs. McConaughey should put a great many doubts to rest.
- People leaving projects: Joseph Gordon-Levitt is departing Sandman, which he was scheduled to direct and star in, over creative differences with the studio. Very disappointing. Slightly less disappointing is the departure of Eli Roth from the shark thriller Meg, which may or may not result in a better Meg.
- Sony has announced a Venom movie to be spun out of the Spider-Man franchise that they really don’t seem to even have anymore. How do you make a Venom movie sans Spidey?
Continue reading Film & TV News: March 7 →
You have to marvel at Top Five, the third and best feature directed by Chris Rock, because it occupies what good ol’ Dave Matthews might call The Space Between (right now you’re saying this motherf*cker just referenced Dave Matthews in a review of a Chris Rock movie — you’re damn right). There’s the in-betweenness of the genre itself, which like main character Andre Allen keeps toggling from comedy to drama and back again. Even within the more likely genre of the two — comedy, for those of you who’ve never heard of this “Chris Rock” fellow — there’s the sense that the movie is stuck in the middle between the comedy we expected and the comedy we didn’t. Rock, after all, made his directorial debut with Head of State, and it’s pretty clear that with Top Five he’s partly digging stuff like that instead of just doing it all over again.
Mostly, though, the tightrope walking in Top Five occurs in the dialogue. Andre’s a has-been comedian, known to the masses for playing Hammy the Bear in three Hammy movies, and as of now he’s trying to break into more serious roles (like the leader of the Haitian Revolution in his new movie Uprize). He’s also trying to stave off his alcoholism, and Top Five provides a nice link between Andre’s sobriety and his ability to be funny. So the dialogue reflects this in the obvious way, in the events of the script and the plot points and such, but it also reflects this in the way it seems by turns well thought-out and yet totally spontaneous.
Continue reading Top Five (2014) →
Seeing Tyler Perry in a mostly-dramatic role in David Fincher’s Gone Girl last week prompted a visit to 2012’s Alex Cross, the most recent big screen incarnation of James Patterson’s famous detective previously played by Morgan Freeman in Kiss the Girls and Along Came a Spider. Appearances to the contrary, Alex Cross ended up being more of a comedy than a drama after all.
Perry’s brilliant Detective Cross faces off against Matthew Fox’s bonkers serial killer known as “Picasso” after the former foils the latter’s assassination attempt and the latter retaliates by killing the former’s wife. The latter realizes his nemesis is The Guy From Madea and uses the opportunity to hone his stand-up routine by exchanging some truly side-splitting dialogue. The game of cat and mouse comes more to resemble a game of mouse and cheese, and the former and the latter eventually decide to duke it out in an abandoned building because cliché. Edward Burns is also in this movie, as is Jean Reno.
Are you excited yet? Well just wait until you witness that final fight scene, whoo boy. Keep in mind that we see Picasso manhandle an impossibly jacked MMA fighter with ease early on in the film and beat the ever-lovin’ out of pretty much everyone else along the way, only to lose in a half-assed scuffle with Madea when his fighting skills actually matter. And you know that cliché moment in 95% of movie fight scenes where the hero seems beaten and is bent over, breathing heavily as blood drips dramatically onto the floor, only to suddenly surge up again with a wicked punch that knocks the bad guy out and gets the music going again? There’s a moment like that, but it isn’t a punch. It’s a kick. It’s in slow motion. The buildup and everything is there and the dude kicks his freaking nemesis in the groin in slow motion. Make sure you’re not drinking Cristal when you watch this scene because you will spit it out laughing and that would be such a waste.
Continue reading Alex Cross (2012) →