Our Take Two column offers second opinions and alternative angles on films and TV series reviewed elsewhere on Motion State. Head here for our original review of Casino Royale.
We’ve done a fair bit of writing about James Bond here at Motion State. From the wonky “continuity” to an increasing need to indulge a wider audience to shitty henchmen to the way writers get away with writing the same damn movie all over again, 007’s bases are more or less covered. Heck, we even spun a conspiracy theory about Bond and Star Wars that only broke recently, now that the tables are turned and Star Wars is suddenly the more prolific franchise of the two. Double heck: we even wrote about Never Say Never Again, the “unofficial” Bond adventure featuring a plot primarily involving deep tissue massage and jazzercise. Despite the advice of the title, I’m supremely confident saying never again on that one.
The thing we’ve somehow avoided discussing is the music of the Bond franchise. Excluding franchise themes written by John Williams — Star Wars, Jurassic Park, Indiana Jones, Harry Potter, etc. — Bond is arguably the film series in which the theme music is most inextricable from the mere notion of the franchise itself. You pick the theme out in an instant and you wouldn’t mistake it for anything else. When I hear the words “James Bond” the first thing I think of is this:
Continue reading Casino Royale (2006): You Know My Name
The next Bond movie will be Spectre, which will mark the fourth outing for Daniel Craig’s modernized James Blonde and the second for director Sam Mendes following 2012’s Skyfall. Mendes won’t be the first to return for another helping of 007, and in fact the trend since Dr. No has hewed closer to “we’ll ask you back if your movie doesn’t suck” than anything else. The math, for those of you struggling here: Skyfall doesn’t suck = Mendes returns.
But Spectre will also mark the return of…well, SPECTRE. The evil organization (SPecial Executive for Counter-intelligence, Terrorism, Revenge and Extortion) has been absent from the Bond franchise for the past eleven films, at least according to Bond purists. According to everyone else, the last time SPECTRE plotted against MI6 was in 1983’s Never Say Never Again, the only Bond film not produced (or sanctioned) by Eon Productions, a film that saw the valiant (ahem) return of Sean Connery to the James Bond role. Never Say Never Again pits this 53-year-old version of the spy against SPECTRE as the organization counter-intelligences, terrorizes, revenges and extorts all over everybody’s ass. Math: SPECTRE = evil.
Continue reading Never Say Never Again (1983)